A crisp introduction
Roland Templeman moves through two worlds with a deliberate, low-voiced confidence: the bright, improvisational theater of his parents’ careers and the formal, rule-bound stage of entertainment law. In one register he is the son of well-known actors; in another, a practicing entertainment attorney whose résumé reads like a bridge between creative talent and legal structure. This article maps the essentials — dates, roles, affiliations — and then places them in a narrative that highlights the through-lines: craft, discipline, and an affinity for storytelling, now recast in contracts and counsel.
Basic information
| Field | Information |
|---|---|
| Full name | Roland Templeman (also referenced as Roland William Templeman) |
| Parents | Simon Templeman (father), Rosalind Chao (mother) |
| Siblings | Isabelle Templeman (sister) |
| Undergraduate | B.A., Georgetown University — magna cum laude (Class of 2014) |
| Law school | J.D., University of Pennsylvania Law School — Class of 2020 |
| Professional role | Associate, Entertainment Department — Glaser Weil |
| Bar admissions | California; New York |
| Prior internships / experience | ICM Partners (motion picture talent internship), PR agency roles, Office of the Los Angeles City Mayor, corporate law experience at an AmLaw 10 firm |
| Public online presence | Private Instagram; YouTube handle; SoundCloud presence |
| Public visibility | Professional bios and alumni features; family mentions in actor bios |
Timeline: dates and milestones
| Year / Period | Event |
|---|---|
| c. 2006–2010 | Early public appearances in school/recital videos (high-school era performances documented) |
| 2014 | Graduated Georgetown University, B.A., magna cum laude |
| 2017–2020 | Attended University of Pennsylvania Law School (J.D., Class of 2020); senior editor on a law journal |
| 2020 | Featured in a Penn Law alumni/podcast segment as Class of 2020 |
| Post-2020 | Practice at an AmLaw 10 firm supporting corporate transactions |
| Current | Associate in Glaser Weil’s Entertainment Department (focus: talent agreements, IP, influencer marketing, producer/writer deals) |
Family portrait in outline
Simon Templeman — the patriarchal voice
Simon Templeman is a career actor whose body of work spans stage, screen, and—prominently—voice acting for major video-game franchises. For the family story, he represents the steady, vocal axis: a professional presence whose decades of performance work form a backdrop against which his children’s choices are set.
Rosalind Chao — the dramatic anchor
Rosalind Chao brings a different timbre: film and television roles that have threaded cultural narratives across decades. She is a visible figure whose career has offered public-facing lessons about longevity and reinvention in a creative life.
Siblings and household
Roland’s sister, Isabelle, appears in family listings and public photo captions. Together the family projects a mixture of private life and public vocation: at home they are a unit; in public, the narrative often centers on the parents’ creative work. Roland’s path outward diverged toward law, but the gravitational pull of performance remains legible in his chosen practice area.
The career arc — from talent desks to legal counsel
Roland’s professional biography reads like a purposeful calibration. Early internships in motion-picture talent departments and a PR agency provided practical orientation: who does what, how relationships are structured, the cadence of deals. Time spent in the Mayor’s office suggests civic-minded grounding and exposure to administrative processes. A stint supporting corporate transactions at a large law firm supplied technical chops: drafting, negotiation, and transactional discipline.
Today, Roland channels those strands into entertainment law. As an associate in a prominent firm’s Entertainment Department he handles talent agreements, writer/producer contracts, intellectual property concerns, and the modern complexities of influencer and digital-media partnerships. In short, he is positioned to translate artistic ambition into enforceable, protective frameworks. The craft is similar to dramaturgy — but the tools are clauses, schedules, and warranties rather than beats, arcs, and staging.
Character sketch: method and manner
There is no tabloid glow around Roland; his public presence is professional and measured. The available traces — a law-firm bio, alumni features, small creative accounts — compose a profile of someone who favors substance over spectacle. He appears to combine the rehearsal discipline of a performer with the analytical rigor of a lawyer. That hybrid sensibility surfaces in two practical qualities: attention to detail, and an instinct for how deals affect careers over time.
Imagine a loom. On one side are scripts, performances, and the unpredictable alchemy of audience response. On the other side are legal instruments, precedents, and numerical risk. Roland’s role, as suggested by his career choices, is to weave those threads so the final fabric holds — durable, wearable, and suited to the artist who will step into it.
Numbers and contours
- Two key educational milestones: 2014 (Georgetown B.A.), 2020 (Penn Law J.D.).
- Two principal practice jurisdictions: California and New York.
- At least three spheres of early professional exposure: talent representation (ICM-type internship), public relations, and municipal government experience.
- Current practice focus: talent agreements, IP, influencer marketing, writer/producer deals — areas that increasingly account for a large percentage of entertainment work in streaming-era economies.
Public presence and media footprint
Roland’s visibility is concentrated in formal, curated domains: firm bios, alumni profiles, and professional listings. He maintains small creative footprints — a YouTube handle, SoundCloud tracks, and a private Instagram — suggesting ongoing engagement with creative forms even as he pursues a legal career. Public video artifacts from his youth (school performances) speak to early participation in the performing arts, consistent with his family background.
What the profile suggests
The outline above points to a deliberate trajectory: childhood and family steeped in performance; formative internships and public-sector work that broadened perspective; elite legal education and journal experience that deepened analytical ability; and a return to entertainment as legal counsel. The pattern reads like apprenticeship followed by mastery: learn the stage, learn the mechanics, then protect and empower the artists who stand upon it.
Final notes on identity and role
Roland Templeman is best understood as a connector: between creative intent and contractual reality, between the energies of actors and the structures of industry. He moves quietly but with clear purpose. The evidence suggests a professional who has taken the inherited language of performance and set it to a different score — one where the rhythm is negotiated, the cadence is contractual, and the final production must withstand both spotlight and scrutiny.